Fleda read that last sentence over more times even than the rest; she was baffled—she couldn't think at all of what it might be. This was indeed because it might be one of so many things. She made for the present no answer; she merely, little by little, fashioned for herself the form that her answer should eventually wear. There was only one form that was possible—the form of doing, at her time, what he wished. She would go down to Poynton as a pilgrim might go to a shrine, and as to this she must look out for her chance. She lived with her letter, before any chance came, a month, and even after a month it had mysteries for her that she couldn't meet. What did it mean, what did it represent, to what did it correspond in his imagination or his soul? What was behind it, what was beyond it, what was, in the deepest depth, within it? She said to herself that with these questions she was under no obligation to deal. There was an explanation of them that, for practical purposes, would do as well as another: he had found in his marriage a happiness so much greater than, in the distress of his dilemma, he had been able to take heart to believe, that he now felt he owed her a token of gratitude for having kept him in the straight path. That explanation, I say, she could throw off; but no explanation in the least mattered: what determined her was the simple strength of her impulse to respond. The passion for which what had happened had made no difference, the passion that had taken this into account before as well as after, found here an issue that there was nothing whatever to choke. It found even a relief to which her imagination immensely contributed. Would she act upon his offer? She would act with secret rapture. To have as her own something splendid that he had given her, of which the gift had been his signed desire, would be a greater joy than the greatest she had supposed to be left to her, and she felt that till the sense of this came home she had even herself not known what burned in her successful stillness. It was an hour to dream of and watch for; to be patient was to draw out the sweetness. She was capable of feeling it as an hour of triumph, the triumph of everything in her recent life that had not held up its head. She moved there in thought—in the great rooms she knew; she should be able to say to herself that, for once at least, her possession was as complete as that of either of the others whom it had filled only with bitterness. And a thousand times yes—her choice should know no scruple: the thing she should go down to take would be up to the height of her privilege. The whole place was in her eyes, and she spent for weeks her private hours in a luxury of comparison and debate. It should be one of the smallest things because it should be one she could have close to her; and it should be one of the finest because it was in the finest he saw his symbol. She said to herself that of what it would symbolize she was content to know nothing more than just what her having it would tell her. At bottom she inclined to the Maltese cross—with the added reason that he had named it. But she would look again and judge afresh; she would on the spot so handle and ponder that there shouldn't be the shade of a mistake. He looked about him and took up his hat: it was as if, in spite of frustration, he had got the essence of what he wanted and could afford to agree with her to the extent of keeping up the forms. He covered her with his fine, simple smile, but made no other approach. "Oh, I'm so awfully happy!" he exclaimed.!

"He speaks to me of the only thing that concerns me. He gives me clear notice that he abates not one jot of his demand." "What then did she mean to do?"

"Quite right. There's nothing like them," said Mrs. Gereth. At this her companion took up one of her hands again and kissed it as she had done in London. "Mona went back that night; she was not there yesterday. Owen stayed on," she added. These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!" It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck.